steadicam
Steadicam can be one of the most efficient tools on a film set for achieving the perfect shot in a timely manner. It can create dynamic images that can add extra layers of depth to your project. As a Steadicam operator, I strive to make sure that we get the shots needed with the following tools:
Equipment List:
- GPI PRO Cine Live Steadicam Sled w/ Volt Stabilizer
- GPI PRO Titan Arm (13-63+ lbs.)
- GPI PRO Vest
- Transvideo 6” HD SBL+ Monitor
- Transvideo Starlite HD5 ARRI Monitor
- Blackmagic 12G 5” Monitor
- Anton Bauer Titon Batteries (90/150Wh)
- Kenyon KS-4 Gyro
- American Steadicam Combo Stand w/ Wheels + Moses Pole
- Eartec Headsets (5x)
- Rolling Pelican Cases For Safe/Efficient Travel (Includes Media Pass for Flying Baggage Discounts)
- Inovativ Scout 37 Cart w/ Steadicam Support System
- Rock-N-Roller R12 Lightweight Cart
Available Upon Request:
- ARRI Trinity 2 Package
- Walter Klassen Vehicle Hard Mount (Speed Rail/Mitchell Mounts)
- ARRI Alexa 35 4.6K S35 Camera Production Package
- ARRI Signature Prime LPL Lens Set (15, 18, 25, 35, 47, 75, 125mm)
- Cooke 2X Anamorphic/i Lens Set (32, 50, 75, 100mm)
- ARRI Hi-5 Follow Focus Kit
- (2x) ARRI WCU-4 Follow Focus Kit
- SmallHD 1303 HDR 13” Production Monitor
- SmallHD Cine7 Director’s Monitor
- Teradek Bolt 3000 1:2 Wireless Video Kit
- Tango Swing Head
- Bolex REX-5 / SBM Ultra 16mm Camera w/ wide range of lenses (3.5mm Fisheye–200mm)
- Panasonic HPX170 Camera With Century Xtreme Fisheye
- Sony VX1000 with Century MKI Fisheye (Inquire about Tapes)
- Film Stills Cameras:
Nikon FM2N 35mm Camera (Lenses 16mm Fisheye—200mm)
Fuji GA645 120 Camera
Hasselblad 500 C/M 120 Camera (Lenses 30mm Fisheye–180mm)
Hasselblad XPan 35mm Panoramic Camera (28 Nikkor PC, 45, 90mm)
4x5 Sinar F2 Camera (Lenses 90mm—210mm)
4x5 Toyo CF Camera (Lenses 90mm—210mm)
Various 35mm Point ‘n Shoot Cameras
